This event features live audio connections between WNUR and Mills College (Oakland, CA) and Richmond, Virginia. The connection with Mills College begins at 9 p.m. Central Time Zone / 7 p.m. Pacific Time Zone. Tonight’s performance will be broadcast live, on WNUR—at 89.3 FM, and streaming live at www.wnur.org. $5 suggested donation, to be an audience member at WNUR.
MONDAY AUGUST 11th 6PM-9PM
Chicago Cultural Center Presents:
This is Not a Test: The Chicago Sound Experience
Curated by Margaret Noble
artists retell and reproduce the Chicago experience through place, time and culture in audio recordings. Abstract sound, field recordings, text based/spoken word, and radio pieces alike will be included.
These works will be presented at the Jay Pritzker Pavilion
Millenium Park
This is a free event for the public.
Based on field recordings of chicago, audio documents will try to fully utilize the functionality of the speaker array overhead, and it should be quite the trippy experience. I'll have a contribution playing, and if the russian version of last.fm I found is correct, also included are Meri von Kleinsmid, Francisco Lopez, Gintas K, Peter Cusack, Margaret Noble, noise.inc, Noleian Reusse, Thomas Park, Krispen Hartung, elsa justel, Joshua Manchester, Peter Joseph, Rory Shackles, Martin Bedard, Jen-Kuang Chang и David Schmüdde.
This week featuring:
This is Not a Test: The Chicago Sound Experience. Listen to a selection of local, national and international sound artist recordings on the Great Lawn's state-of-the-art sound system. These field recordings, experimental works and abstract compositions will investigate time, place and space in the city of Chicago and beyond.
About The Jay Pritzker Pavilion:
Frank Gehry, winner of the National Medal of Art, applied his signature style to this revolutionary outdoor concert venue. The Pavilion stands 120-feet high, with a billowing headdress of brushed stainless steel ribbons that frame the stage opening and connect to an overhead trellis of crisscrossing steel pipes. The trellis supports the sound system, which spans the 4,000 fixed seats and the Great Lawn, which accommodates an additional 7,000 people.
This state-of-the- art sound system, the first of its kind in the country, was designed to mimic the acoustics of an indoor concert hall by distributing enhanced sound equally over both the fixed seats and the lawn.
Park location: Great Lawn
Lounge on the Great Lawn and soak up sounds from the Jay Pritzker Pavilion's one-of-a-kind sound system. Bring a picnic, games, friends, and family to play, chat, stretch, eat and drink. Electronic music artists, local record label heads, music historians, expert DJs, record store impresarios, and a few surprise guests provide the sonic backdrop."
Monday July 14th
Myopic Books
1564 N. Milwaukee Ave
Chicago, IL 60622
http://myopicbookstore.com/music.html
free
7:30P
Fred Lonberg Holm, cello and
Joshua Manchester, percussion.
These musicians will be performing together for the first time, which is a theme of the Myopic Series. Manchester will be playing a heavily modified snare drum he's dedicated to extended-technique composer Mauricio Kagel, and together they will be improvising freely.
Myopic Books is in Chicago's wicker park neighborhood just south of the big intersection on Milwaukee.
Chicago based cellist Fred Lonberg-Holm has played and studied music in a variety of situations from the Juilliard School to the gutter. A former student of Anthony Braxton, Morton Feldman, Bunita Marcus and Pauline Oliveros, his primary projects are his Valentine Trio and The Lightbox Orchestra. He is also a member of a number of ongoing collective projects (The Boxhead Ensemble, The Friction Brothers with Michaels Zerang and Colligan, The Flatlands Collective, Keefe Jackson's Fast Citizens) as well as participating in numerous one off "ad-hoc" or
in frequently convening ensembles. He also currently plays in groups led by Joe McPhee (Survival Unit III), Peter Brotzmann (Chicago 10tet), and Ken Vandermark (Vandermark 5, Frame 4tet, Territory Ensemble). Improvisors he has worked with include Jim Baker, John Butcher, Wilbert DeJoode, Axel Doerner, Mats Gustafsson, Charlotte Hug, Glenn Kotche, Peter Kowald, Nicole Mitchell, Torsten Muller, Jim O'Rourke, Jeff Parker, David Stakenas, Ben Vida, and Michael Zerang, He has contributed cello sounds to numerous recording projects by rock groups including Califone, Freakwater, God-is-my-co-pilot, L'altra, Smog, Super Chunk, US Maple, Wilco and many others.
773.862.4882
myopic@myopicbookstore.com
SATURDAY JUNE 21st 10:30 PM
Hotti Biscotti
3545 w. fullerton ave
chicago, Illinois
US
Cost:N/A
following some movies With bassist Andrew Scott Young and preceding
2nd set : Chicago Phonography
Joshua Manchester — field recordings Robert Pleshar — field recordings Michael Hartman — field recordings Eric Leonardson — field recordings
Chad Clark — field recordings
Concert for peace: For the last two years, the Benedictine monks at St. Procopius Abbey in Lisle have been working to help build peace in the Middle East by supporting the creation of the Beit Benedict Peace Academy on Mount Zion in Jerusalem. "God of Justice" benefit concert for peace in the Holy Land will be held at 7:30 p.m. at St. Procopius Abbey, 5601 College Road, Lisle. Cost is $20 in advance; $25 at the door. Call 630-829-9253 to order tickets.
I'll be performing section percussion on Bloch's Schelomo with percussionist Daniel Heffner. Also, Beethovens 5th will be performed.
"Maja Cerar, violin; Tomie Hahn, sensor-suited dancing conductor
Give your mouse a night off and enjoy the Chicago-area debut of the groundbreaking Princeton Laptop Orchestra (better known as PLOrk), cofounded by Dan Trueman and Perry Cook. Using customized laptop computers and individual sound systems, this 20-member ensemble can sound like a full symphony orchestra, a jazz combo, or an electronica band. This exciting program will include works with solo acoustic violin, a piece with a dancing conductor covered with electronic touch pads, and two world premieres. Far from being preprogrammed, PLOrk musicians independently control dynamics, rhythm, and sound to create a true ensemble effect."
The good news is that you can either show up and hear music the way it ought to be, or tune in to a live webcast on the venue website: http://www.pickstaiger.org/
Just navigate to this page less than ten minutes before the concert (7:30) and a link will appear opening the feed in Real Player software. Apparently four cameras replete with boom stands will capture the action, so it should be great.
I'll be on the last piece, in which 10 percussionists are brought in to play wooden instruments with PLOrk.
PLOrk - The Princeton Laptop Orchestra
Pick-Staiger Concert Hall
Saturday, April 5, 7:30 p.m.
Ticket Price: $12/7/5
MAP: http://www.pickstaiger.org/venues/index.shtml
SUNDAY MARCH 16, 2008 8:00PM
In concert with saxophonist Jack Wright and percussionist Fabrizio Spera at
Gallery 1412. File under free improv
1412 18th Ave (18th Ave and Union St)
Seattle, WA 98122
A collectively owned musical arts venue.
All shows no cover-- donations accepted, all ages, and begin at 8pm unless otherwise noted. info@gallery1412.org
http://www.springgardenmusic.com/
JACK WRIGHT. After teaching at Temple University in the 1960s and leaving academia in the early 1970s to engage in radical politics and community organizing, by the late 1970s Wright directed his energies into music. He is one of a very small group of musicians in North America that has played improvised music exclusively since the 1970s. Through years of near constant touring, often performing for audiences in cities and towns where improvised music had never before been heard, he came to be regarded as something of an underground legend. He has deliberately eschewed the conventions and socio-aesthetic limitations of musical careerism to pursue his own vision. Although his de-professionalized approach sets him apart from most musicians at his level of accomplishment, his art has always grown, expanded, and synthesized new information. He is unquestionably an original and virtuosic saxophonist, a master improviser who is deeply lyrical, with humor never far away.
Today Wright tours frequently in Europe and North America (and in Japan in 2006), making new musical and human connections, bringing European musicians to the U.S. and bringing musicians everywhere together. His inspiration has provided crucial impetus to hundreds of musicians and has even motivated several people to establish music venues in order to present him and other improvisers (e.g. Baltimore’s High Zero festival). His vast list of collaborators includes some “name” luminaries (William Parker, Axel Dorner, Michel Doneda, Andrea Neumann, Denman Maroney, Bhob Rainey to name a few) but more significant are the many obscure greats he has played with. He has made over 40 recordings (many published on his own Spring Garden label), performed in over 20 countries, and written extensively and insightfully about music and society for journals such as Improjazz (France) and Signal to Noise (US), as well as his own website.
free improvisation following Jim Baker, brian sandstrom, mars williams, and steve hunt. I’lll be playing with killer trombonist Jeb Bishop and mega-bassist Jason Roebke!! !!! See you there!
GREAT show with Aaron Zarzutzki, I guess it’ll be our record release show for Chicago. Annnnnnnd following us will be killer german extended-technique trumpeter birgit ulher and chicago legend eric leonardsen on his invention the springboard.
I'll be playing a set with Chicago sound artist Aaron Zarzutzki at Enemy. We'll be opening for Birgit Ulher and Eric Leonardson on Friday, October 5th at 9:00 PM.
Our music will be celebrating a live studio recording made on August 11, 2007 and released on Shark Bite Tapes. This recording is a snare drum duo which it has been serendipitously discovered is the ideal module for background music, hence is called "Furniture Songs". Although this is certainly not music Erik Satie envisioned when he championed furniture music, it can be listened to not only for its own merit as two musicians fully engaged in communicating with extended techniques, but also as a foil for revealing the unique sound sculpture enclosed by space to be found in its broadcast environment. My favorite activity to perform while listening is tidying up the apartment. Every sweep of the broom, turn of the faucet, retort of the closet door, and hum of the microwave take their place amongst the lilting scrapes and buzzes of the recording, and this results in an increased awareness of the musical qualities of accustomed sounds to the listener. The simultaneities and interruptions between real and recorded spaces affirm a deep sense of pulse, the stochastic rhythms of the physical world.
AARON ZARZUTZKI utilizes the manipulation of standing waves to produce his art spontaneously. Sometimes using nothing more than the voltage of a battery to excite a speaker cone, he will often make his music from the vibration caused by the motion of sound, rather than the sound itself.
JOSHUA MANCHESTER believes in the power of music to express the inexpressible, and places great trust in a spirit of experimentalism and continual discovery to fulfill his vision of bettering the human mind. While having a strong background in traditional music, many diverse musical influences have shaped his experience. Performing with artists, dancers, jazz improvisers, field recordists, noise rock bands, symphony orchestras, funeral marching bands, Javanese gamelans, and animals has taught this percussionist that music can be much more than striking resonant objects to a beat.
BIRGIT ULHER studied the visual arts, which still have an important influence on her music - for example the abstract painting in its materiality or the Fluxus-movement with its affinity to music. Since moving to Hamburg in 1982 she has been involved in free improvisation, co-founding a musicians collective, dance-projects and solo-performances, played often in occasional / once-only groupings with many of the European and American improvisers. Music Performances in Europe and USA, together with UNSK (Birgit Ulher / Martin Küchen / Lise-Lott Norelius / Raymond Strid), Jürgen Morgenstern, Martin Klapper (CD-Momentaufnahmen), the Trio PUT (with Ulrich Phillipp und Roger Turner) (CD-Umlaut), Nordzucker (mit Lars Scherzberg und Michael Maierhof), Tim Hodgkinson, Dorothea Schürch, Ernst Thoma, Rhodri Davies, Söres Zsolt, Robyn Schulkowsky, Sven-Ake Johansson, John Edwards, Michael Zerang, Damon Smith, Lou Mallozzi, Gino Robair, Martin Blume, Albert Markos and Ute Wassermann.
ERIC LEONARDSON is a composer, radio artist, sound designer, instrument inventor, and improviser. His work in the field of experimental music and sound began in Chicago, where in the mid-80s he helped found the Experimental Sound Studio and direct one of Chicago’s first internationally broadcast radio art programs. He has created sound design and music for films, video, theater, and dance, notably for South African choreographer Robyn Orlin and since 1995, for Plasticene, one of Chicago’s foremost experimental theater companies. Leonardson’s music is distinguished by the unique sounds of his self-built instrument, the “springboard”. Leonardson's music has been described as "...ritualistic music, electronically synthesized industrial vibrations miraculously created with ordinary household objects...."..Carol Burbank, Chicago Reader. Leonardson also performs with experimental, creative musicians and sound artists from Chicago and the world at large, and teaches at The School of the Art Institute of Chicago.
Enemy is located at 1550 N. Milwaukee Ave 3rd floor, Chicago, Illinois 60622.
SIPG will be holding a Benefit Music Concert on Thursday, October 4 at 7:30 pm, followed by a reception. Suggested Donation $15.
This event is being held to raise funds for SIPG's 2007-2008 season. We appreciate your support.
Location:
Chapel Hall
First Presbyterian Church in Evanston
1427 Chicago Ave.
Evanston, IL
The artists featured at this event will include:
Artistic Director Matthew Coley
Ensemble Members Bjorn Berkhout, Todd Nickow, Mary Drews, Annie Stevens, Josh Manchester and others
The program will include a variety of selections including solo to chamber works and J.S. Bach to improvisation.
Description:performance with sonic inertia percussion group
SATURDAY SEPTEMBER 29 9:00PM
state theater
687 central
st. petersburg, Florida
Only a Mother...
Jimmy Carl Black & Eugene Chadbourne join Zappa repertoire band Bogus Pomp in a celebration of Motherly Mayhem. The State Theater is located at 687 Central in downtown St. Petersburg. Tickets are available from www.ticketmaster.com, search for Bogus Pomp.
Amp'Theater in downtown Tampa performing with The uhhh. . and Chiari Network. Also on the bill are w/ Curious Hair, Hahahelp!, Le Fantome, Luciano Guidini, Skin Job, T Func, then and than, Lazerblades, emBard, Andros Rex, and Rat Bastard. 8PM
SEE MY NEW RELEASE ON SHARK BITE TAPES WITH AARON ZARZUTZKI NAMED FURNITURE MUSIC.
67 E. Cermak Road
Chicago, Illinois 60616
phone number: 1.312.791.9050.
Parking is available at parking meters surrounding the block
or in the muffler shop lot on the NE corner of Michigan and Cermak, when the shop is closed. Via Google Map, see their map.
Our set will start at 11PM, and will follow a set at 8:30 by Jim Baker, Brian Sandstrom, and Steve Hunt. http://holiday.chicagoreader.com/music/jazz/
3545 W. Fullerton : Tue 7/17, 8:30 PM, Baker Hunt Sandstrom Trio; 11 PM, Joshua Manchester Group. 773-292-6877.
67 E. Cermak Road
Chicago, Illinois 60616
phone number: 1.312.791.9050.
Parking is available at parking meters surrounding the block
or in the muffler shop lot on the NE corner of Michigan and Cermak, when the shop is closed. Via Google Map, see their map.
SUNDAY MARCH 11
Radio Appearance
Something Else 88.7 WLUW
Sun and Haw
Cliff Ingram, guitar
Joshua Manhcester, drums
FRIDAY FEBRUARY 16 7:00-10:00
The performances at the February installment of Music + Art, organized by Joshua Manchester, will serve to remind that giving the performers some choice in the composition process is a good thing, and may more effectively highlight any goals composers sought to undertake when composing in the first place. Free improvisation is a good starting point, and since there are those who scoff at the idea of improvisation as inward and limiting (and even John Cage said he used chance to free himself from his likes and dislikes) it is hoped that this concert will point out that successes of many prominent abstract classical pieces in the last century were credited largely by the brute naturalist intelligence, the appeal and zest of a fine performer.
The Sets:
7:30-8:10 = Ben Boye, piano
8:20-9:00 = Cliff Ingram and Joshua Manchester
9:10-9:50 = group led by Kevin Davis and Guillermo Gregorio
Building Mgnt: o@zhoub.com The musicians include : Cliff Ingram, guitar
The guitar-drums duo of Ingram and Manchester marks a decided endeavor to explore musical understatement, a project that, by considering its relationship with "silence," respects some of the more restrained acoustic qualities of its instrumentation. The resulting compositional vehicles therefore take on a kind of "slow motion slight of hand," in which exposition and obfuscation are readily available elements to be shuffled. This invitation into process, however, is rendered more enticing by means of the duo's constant exploration of fresh, cinematic coloration.
Cliff produced some harmonic frameworks on which to base improvisations. http://www.joshuamanchester.com/Ingram.htm Guillermo Gregorio, reeds
"Given that he was born into a musical household in the musical capital of Buenos Aires, Argentina in the early 1940s, it came as little surprise to anyone that the cerebral and artistically inclined Guillermo Gregorio was drawn to jazz as a teenager. While he initially played Chicago-style jazz, exposure as a young man to the groundbreaking modern jazz of musicians like Ornette Coleman as well as 20th century classical music and early musique concrete inspired Gregorio to begin his career-long exploration of the boundaries of sound. His education in the visual culture of modernist design and architecture also had a profound effect on his work. During the '60s, influenced by the work of social critics, philosophers, writers, and visual artists, Gregorio turned away from public performance and began to experiment in his home studio, where he pursued improvisation, overdubbing, and assorted tape collages." -Jesse Ashlock
"Gregorio also took part in the activities of the Fluxus-like performance-group Movimiento Música Mús, the Experimental Group of Buenos Aires and the Group of Contemporary Music of La Plata, with results ranging from multi-media spectacles to experimental concerts and a modern repertoire. In the mid 1980s Gregorio left Buenos Aires and went firstly to Europe and then to the USA, where he is still living and working. In Chicago in 2001 he founded the Madi Ensemble, which is concerned with the bases of various Argentinean avant-garde styles. He also teaches at the Purdue University and was awarded a grant in a promotional program of the Chicago Symphony Orchestra's." -Haus der Kulturen der Welt Ben Boye, Piano
Kevin Davis, Cello
Kevin is an established improviser on a national level. Currently his new album, "The Tempest Is Over" is receiving airplay all over the country http://www.deadceo.com/releases.html. A current Chicago resident, he has played with a comprehensive cast of prominent musicians in ensembles such as Locksmith Isadore and the Rempis/Davis Duo. Joshua Manchester, percussion.
Josh believes in the power of music to express the inexpressible, and places great trust in a spirit of experimentalism and continual discovery to fulfill his vision of bettering the human mind. Joshua Manchester is an innovative performer and instructor in the field of percussion. In addition to being a regular member of the MAVerick ensemble, he performs with Civic Performers Innovative Music, Sonic Inertia and Accessible Contemporary Music as well as a regular participant in Chicago Composer’s Forum projects. Joshua has recently collaborated with percussionists of the International Contemporary Ensemble on a concert of works by Augusta Reed Thomas and Ryan Ingebritsen, premiered works with the Cube Ensemble, undertaken national tours as an improviser, and provides classical percussion in numerous orchestras in Illinois, Wisconsin, Indiana and Iowa. In addition to his position as adjunct percussion instructor at St. Xavier University, Joshua teaches a private studio at the Sherwood Music Conservatory.
While having a strong background in traditional music, many diverse musical influences have shaped his experience. He often collaborates and performs with new music composers, including Mei-Fang Lin and William Jason Raynovich, and has also studied composition with Herbert Brun and Susan Parenti. Working with artists such as Steve Lacy by providing music for art installations has proven immensely rewarding. After spending two years performing with a Javanese gamelan and studying the Indian Tabla, lately Joshua has begun studies with the berimbeau.
Joshua holds a Bachelor of Arts in Music Education from Luther College and a Master of Music in Percussion Performance and Literature from the University of Illinois. Joshua has studied with renowned percussionists John Herndon, Thomas Siwe, William Moersch, Michael Geary, and Andre Beasley.
You can learn more about Joshua from his website. http://www.joshuamanchester.com
164 North State Street
Chicago, Illinois 60601
Tel: 312.846.2600
5PM
Located on State Street between Randolph and Lake streets, the Film Center is
approximately one block from all CTA "L" and subway lines, as well
as several major bus routes.
An interdisciplinary festival using advanced
technology to join artists from many diverse places together. "In Chicago
Calling, Chicago-based artists will showcase collaborative works via teleconferencing
or the internet, and performances and viewings of these collarborations will
occur at Elasstic and other venues throughout Chicago. These works will be prepared,
improvised, or a combination of both. For instance, a Chicago-based poet might
collaborate with a Japanese videographer, a Chicago-based jazz ensemble might
improvise with a London-based dance troupe, and so on. The first Chicago Calling
collaboration will begin at 12 AM Wednesday, October 25 and the events will
continue for 24 hours. The 25th was chosen because it is Pablo Picasso's birthday.
Watch as 9 drummers simultaneously try
to hammer the groove from Can's "Oh Yeah" (Tago Mago) into the walls
of the Hyde Park Arts Center for 40 minutes.
That's clockwise from front Mark Diffendorffer, Matt, Eric Leonardson, Andy, Devin Davis, Joshua Manchester, Liz Payne, Anthony Elms, and Chip.
December 2008 update: from a facebook album - later on the drummers reappeared for the art opening. Anthony Elms, Atha Clarke, and yers. Photo Phillip VonZweck
A collection of conceptual works that
are rooted in the forms and sounds of glass and water. All of the music will
be performed by three percussionists original and live. There will also be movement
and electronic media if possible.
Performances are Saturday at 7:30 and
Sunday at 3:00 and 7:00 PM. Dance Center Evanston, Studio #4 1934 Dempster St.,
Evanston Plaza. SW corner of intersection @Dodge. 15$.
SEPTEMBER 10 2 PM
Vittum Theater (1012 N. Noble Street),
The performance will last about 45 minutes and will involve improvising
with dancers. This will be part of the Around the Coyote Festival.
With Daniel Godston, Jayve Montgomery,
and Bill Mackay
WEDNESDAY JULY 19
Live performance on WNUR Radio at 12:00 with trumpet Daniel
Godston
Featuring the works of Alan
Emerson Hicks with duet art pieces from Bruce Noel Mortenson, Edward Master,
Helena Engel, Joseph Sikora, Kevin Mollier, Jacqueline Moses, Robert Putnam,
Jeanette Bezazian, Wade Chandler, Joseph Innocenti & others.
Opening Reception is from 7-11 PM with performances by Hoopafreaks,
Right Eye Rita, Emerson the Art Illusionist, Dan Godston and Joshua Manchester.
Fully staged and sung in Italian with English supertitles.
Submit to the awe-inspiring music of Puccini
as he tells the tale of young, starving Bohemians in nineteenth-century Paris.
This imaginative mixture of love and loss, tears and laughter, has enchanted
audiences for a century. Don’t miss it!
ACM presents Spring Spectacular
II
--------------------------------------------------------------------------------
Sunday, April 23, 2006 2:00 PM Green Mill,4802 N. Broadway Chicago, IL.
773-878-5552 Admission is $5
The annual Spring Spectacular is our time to relax and have a little fun. Previous
Spectaculars have included magicians, improvisors and performers of every stripe.
This year we have as our special guest Brazilian composer, pianist and vocalist
extraordinaire Clarice Assad and vocal effects improvisor Lord of the Yum-Yum
in addition to our regular program which will be announced shortly. This concert
always sells out so show up early!
3700 West 103rd Street, Chicago,
IL 60655 (773) 298-3000
Music and the Search for Meaning
ICE with Augusta Read Thomas
St. Xavier University
Chicago, IL
ICE joins renowned composer Augusta Read Thomas in a program featuring her
works alongside new pieces by members of the Chicago Composers Forum.
Program
Augusta Read Thomas: Pulsar for solo violin (2003)
Augusta Read Thomas: Rumi Settings for violin and cello (2002)
Augusta Read Thomas: Diagonals for solo clarinet ((2005)
—
Works by members of the Chicago Composers Forum
David Smooke, Ryan Ingebritsen, Janice Misurell-Mitchell, Krystof Wolek
I play on Ingebritsen's piece,
"Echoes, Like The Ringing In My Ears" for three percussion and tape.
FRIDAY, MARCH
17 2006
Amos Gillespie's
Civic Performers Innovative Music
Run by Jayve Montgomery, Joel Wanek,
and Daniel Godston
NEW LOCATION! 1646 West 18th Street
6:00-8:30 PM Plus art by: Rene Hugo Arceo (prints)
Adonay Navarro (low relief sculpture and mixed media)
Dolores Mercado (paintings and prints)
Veronica Mercado (photographs)
www.arceoart.us
Phone: 773/610-0429 or 312/942-0095
DUE TO
PLUMBING PROBLEMS. (WITH THE CAFE, NOT WITH ME)
Open Jam Cafe Mestizo
Run by Jayve Montgomery, Joel Wanek,
and Daniel Godston
NEW LOCATION! 1646 West 18th Street
6:00-8:30 PM Plus art by: Rene Hugo Arceo (prints)
Adonay Navarro (low relief sculpture and mixed media)
Dolores Mercado (paintings and prints)
Veronica Mercado (photographs)
www.arceoart.us
Phone: 773/610-0429 or 312/942-0095
SUNDAY, NOVEMBER
6 2005
Live Radio
Performance on WLUW station 88.7 FM
Part
of the "Something Else" 10th Anniversary Celebration!!!!!
In my contribution,
I will be paying homage to Cage with the use of a cactus for my sole performance
output. Cage originally wrote for this piece in "Child Of Tree"
SATURDAY, SEPTEMBER
24 2005
Fresh
Ink - Chicago Parks District
Humboldt
Park Boathouse, 1359 N. Sacramento Ave. Chicago IL
